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Posts from the ‘Historic Preservation’ Category

Postcards from the Field: Knotts Owen Barn

This week Richard and our preservation associate Catherine Cuthbert took a trip out to Corvallis to survey a historic 1870 barn that we are working with the owners to stabilize and preserve. This barn, called the Knotts Owens Barn, was listed as one of Restore Oregon’s 2013-14 Most Endangered Places.

Here are some pictures from our first look at the place:

KnottsOwensBarn_1870_B_ (11) KnottsOwensBarn_1870_B_ (15) KnottsOwensBarn_1870_B_ (28) KnottsOwensBarn_1870_B_ (39) KnottsOwensBarn_1870_B_ (78) KnottsOwensBarn_1870_B_ (88) KnottsOwensBarn_1870_B_ (111)

About the Knotts Owen Barn (from the Restore Oregon website)

The Knotts-Owens Barn is one of a handful of hand-hewn barns standing in Benton County today. This rare farmstead complex is regionally significant because it shows the evolution of a family farm from the settlement era through the 20th century.

The storyline of the Knotts-Owens farmstead begins in 1849 when Iowa natives William and Sylvia Knotts received a 640-acre donation land claim three miles north of present-day downtown Corvallis. The farmstead has stayed in the same family and the existing collection of buildings date to the 1870s, providing an excellent example of subsistence farming around the Mid-Willamette Valley. The complex consists of a farmhouse, machine shed, pump house, brooder house, and the barn.

Read more about this endangered place here.

 

We’ll keep you posted about the progress of this important preservation project.

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Postcard from the Field: Pioneer Mothers Cabin Update

We’re making great progress on our Pioneer Mothers Cabin restoration and reconstruction.

Here’s a peek at how it looks so far…

DARcabin_1931_Exterior_D_ (1) DARcabin_1931_Exterior_D_ (2) DARcabin_1931_Exterior_D_ (3) DARcabin_1931_Exterior_D_ (4)

We had some additional help from the Pioneer Mothers themselves the other day. Boy what a well dressed construction team that was…

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Would you like to pitch in with the Pioneer Mothers? Find out how to support the restoration project here.

 

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Case Study: A Historic Review Kitchen

We often get asked what kind of projects will trigger Portland’s Historic Review process and what can be done to help a project navigate smoothly through that process.

Here is Arciform Junior Designer Jeffrey Kelley’s experience working on a current Arciform project that passed Historic Review with flying colors and is now under construction:

  1. Tell me about your recent historic review project. What historic designations does the client’s home have?

The project was a kitchen renovation done on the Frank C. Stettler house, which was designed by Ellis Lawrence in 1914.  This home is designated as a Historic Landmark on the national registry.

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  1. What were the client’s goals for her renovation project?

She wanted to renovate the kitchen to make it more period appropriate while at the same time gaining space for a powder bath since there wasn’t a first floor bathroom.

Here are some BEFORE pictures of the existing kitchen:
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And here are some perspective renderings of the project design:

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YOO 1These perspective renderings show the concept for the new kitchen. Designed by Kristyn Bester.

  1. What aspect of the project required historic review?

Historic review deals with changes to the exterior of a home.  In this case we were removing an exterior access to the basement as well as reconfiguring some windows.

Yoo_1914_Exterior_B_ (20)

  1. What design choices were made or modified with historic review in mind?

We had to make sure that the door and window choices we were making fit the style of the home and reflected the existing architecture.  So things like matching the divided light pattern [on the windows], rail and style dimensions [on the doors], millwork details, hardware, header height, etc.

  1. What kind of questions need to be answered for Historic Review?

Here’s an example:

Historic changes. Most properties change over time. Those changes that have acquired historic significance will be preserved.

There will be no changes to areas that have acquired historic significance after the original construction of the house. The proposed remodel area, which was previously remodeled, has yet to be documented in the historic description of the house and was constructed sometime within the last twenty years. The materials and finishes in the current kitchen do not reflect the period in which the house was built and will, as much as possible, be replaced with more period appropriate choices.

The exterior basement entry at the side and West facing façade of the house is not mentioned in the National Register description of the house and serves as a secondary and rarely used point of access to the basement. The proposed remodel will replace this entrance and absorb the stairwell in favor of a kitchen and nook layout that will improve functionality, increase usable space and feature architectural details that will better reflect the home’s original intent. For example, new double hung windows will be installed at the West façade to replace the exterior basement door and closely match details of the adjacent double hung windows.   This will provide a more consistent architectural rhythm along this wall. The South façade will feature new French doors with a divided light configuration and sticking profiles to match the original West facing door which leads to the original porte-cochère.”

  1. What kind of documentation of those choices did the city require?

We submitted exterior elevations, window and door specs, floor plans, and a thorough explanation as to how and why we were going to match the existing architecture with materials that mimicked but did not match what was there. Historic review wants there to be designation between what was existing and what is new.

Yoo Review Documentation

  1. What concerns did you have about the review process- were there aspects of the project you were worried would face a review challenge?

Our biggest concern was whether or not the review was going to grant us permission to remove the exterior access to the basement.  Even though there is interior access to the basement this seemed like an area in which they could argue that it was part of the original function of the house.

  1. How long did the review process take?

We submitted the review on March 18th and we got the approval on May 1st pending a 14 day appeal period.

  1. What feedback (if any) did you get from the review team about the process? 

The only feedback we got was a question about the door configuration and why we chose to match the door at the porte cochere.  We explained that the home owner wanted to match the existing details of the original door rather than match the French door on the same façade which had been added much later.

  1. Any advice you would offer for a homeowner in a historic district looking to do a similar renovation?

I would say to do as much research on your home before you start designing as possible.  It is important to know as much about the home’s history as possible before considering how to alter it.  It is also important to understand what triggers a historic review and make sure that if you do trigger it the changes are all critical to the project.  If you can avoid changing the exterior of your home then you avoid the review all together.

  1.  10. Where would you recommend homeowners go to start their research?

There are great resources available through Portland’s Development Services website. I’d start there. Portland Maps can also be a great place to find out basic information about your home’s history and what renovations it has already received in its lifetime.

 

And of course the Arciform Design Team is always happy to help!

We look forward to posting completed images from this project later this summer.

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5 Things You May Not Realize about the Historic Review Process

If you’ve invested in a home in one of Portland’s 21 Historic and Conservation Districts, you have probably heard about the impact that the Historic Review process can have on the costs and design flexibility of any renovation you decide to do on the home.

The process, designed to ensure that any exterior changes made to a property in the district will be consistent with the character of the neighborhood, can feel daunting.

Don’t worry. A good designer will help you identify solutions that will meet your project goals and be compatible with Historic Review standards. Keep in mind that Historic Review is required only for projects affecting the exterior of your home.

Here are 5 things you may not know about the process that your designer will help you navigate:

1. Not all buildings in a historic district are created equal.

9159123-large(This building in the Historic Alphabet District, was designated a “non-contributing” structure due to the many extensive changes that had been made to the building over time.)

When property owners successfully apply to create a historic or conservation district, the nominator inventories all of the structures in that neighborhood and identifies each structure as either “contributing” to the historic character or “non-contributing.” Typically a non-contributing structure was built later than the period being preserved in the district. For example, if the neighborhood is labeled historic because of the ’20s and ’30s homes, a garage built in the ’60’s would be considered “non-contributing.”

Non-contributing structures have more flexible rules about how they can be modified. It is still a best practice to modify them in ways that are consistent with the character of the neighborhood.

 Expert tip: If your structure is designated non-contributing and you are modifying less than 150 ft of a non-street facing side your renovation will be exempt from Historic Review.

2. Not all sides of your home are created equal.

Yoo_1914_Exterior_B_ (20)(This home in Portland’s Historic Alphabet district is in the process of having the kitchen renovated by Arciform. Because the exterior changes  will impact the rear of the home (like new french doors and exterior stair landing), the Historic Review process was simplified.)

Just as different homes might be labeled “contributing” or “non-contributing,” different parts of your house might have different designations. An addition built in the ’70s, before the district was designated historic, will typically not be considered a “significant” or “character defining” part of the architecture and can be modified more easily. Often the non-street facing facades of a home are considered to not be character defining, as long as your neighbors don’t have to look at them. This means that renovation projects that modify the back side of your home in ways that are not visible to the neighbors or passerby can sometimes have an easier path to meet the necessary standards during the Historic Review process.

 Expert tip: The fewer people that can see the portion of the exterior being affected by your renovation plan, the more flexibility you may have on design choices. Your designer will still advocate for choices consistent with the architectural style and period of your home, but you may be able to select materials with higher energy performance standards, as an example.

3. Preserving the historic material is just as important as preserving the architectural design.

house-repair-storm-windows-before-after(This image shows a classic double hung window, shown with and without an added storm window. Storm windows can add energy performance without sacrificing original historic material, as long as that historic material is rot-free. If your window material is rotted, replacement with window parts that match the material and style of existing windows will be your best option.)

Preservation standards place a premium on preserving the original historic material in the home in addition to the architectural designs. So if your porch has some wood in good condition and some that needs replacement, it will be preferred that you not replace the whole porch, even if you plan to match the design details exactly with new wood. Instead, your designer will look for ways to conserve as much of the original wood, hardware and etc. as possible and replace only the elements that have rot or damage.

This is particularly important for windows: Usually the review process will prioritize solutions that keep any existing wood material that is in good condition. Often the preferred solution will be to repair damaged window elements and add storm windows rather than replacing the whole window. This is true even if the new window will exactly replicate the design and material of the originals.

Expert tip: Restoration and the addition of storm windows are rarely less expensive than replacing with new windows due to the fact that restoration requires more expert time to implement than a new window installation. You will also need to consider the added costs of potential lead paint and asbestos abatement if the windows are to be re-furbished on site. In most cases, it will benefit your home’s long term value to retain the existing windows in good condition rather than replace them, even though the investment may be a bit greater.

The key factor here is condition: Wood and material in good condition should be conserved, rotting material should be replaced. Significant rot will lead to a recommendation of replacing the whole unit with a new unit that uses historically appropriate material.

 

 

4. If its new, it has to look different.

historic-colemanscott-colonialrevival-1927-6(This rendering of Arciform’s design for the second story master bathroom and balcony addition to the Historic Coleman-Scott House in Irvington shows the balancing act between fitting the new addition into the surrounding structure and making it distinct enough to not look “fake historic.”)

Surprisingly, the guidelines for additions to historic structures specify that the new structure NOT exactly mimic the existing architectural details of the historic portion of the home. Given how important preserving the original “character” of a building is to the historic review process, this can come as a surprise. After all, wouldn’t you want everything to look like it has always been there?

In fact, the principle at work here is that you should be able to tell at a glance what was a part of the original design and what was a later addition in order to prevent “fake historicity” or creating the illusion that something is historic that is not.

This creates a tricky design puzzle: How to design new elements to be visually distinct from, but complementary to the existing historic elements of your home so that the finished look will be harmonious but not “fake historic?”

 

5. Your neighbors are an important part of the Historic Review process.

Neighbors

When plans are submitted for Historic Review, your local neighborhood association gets a fair amount of input into whether the plans will pass muster. Your immediate next door neighbors will also be consulted (anyone who will be able to see the completed renovation from their home). Something to consider: If you live in a relatively hilly district, that can also include people above you who can see into your backyard or onto your roof.

Expert tip: When considering a renovation that will impact the exterior of your home, invest some energy in connecting with your neighbors and the neighborhood association to identify any potential worries or concerns they have. You’ll be better positioned to address those concerns through thoughtful design if you have included them in the process early. Many neighborhood associations can provide advice prior to the process.

 

Want to know more about how the historic review process might affect your renovation plans?

Join us July 16th at Old Portland Hardware and Architectural for a Historic How To Workshop.

Get the details and RSVP here.

 

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Is Your Home a Historic Place? Understanding Portland’s Historic Designations

Did you know that Portland has 15 areas that are designated historic districts? That there are 1900 homes and buildings in Oregon that are listed on the National Register of Historic Places (and if you include homes listed in a historic district that total is over 12,000)? There are also 6 neighborhoods in North and Northeast Portland that are listed as “conservation districts.”

What does it mean for your home to have one of these designations? How will it impact your ability to maintain your home over time?

Every city handles review differently, but here are  a few benefits and costs of each designation to consider:

 

National Register of Historic Places

Quarum_1913_Exterior_Kozawa_A_3(The Barnes Mansion, a home on the National Register of Historic Places in the Beaumont-Wilshire neighborhood, received a respectful kitchen renovation by Arciform. Although the majority of the renovation was interior and not subject to Historic Review, a small range hood vent  needed to pierce the exterior fabric of the building, triggering a submission of the project for Historic Review to ensure the vent cover would meet historic preservation guidelines.)

The National Register of Historic Places is an honorary designation awarded by the National Park Service. Often the structure will have a plaque announcing its designation though these are not mandatory.

Benefits: Owners of listed properties can enjoy up to a 20% tax investment credit and straight-line depreciation period of 27.5 years on properties that qualify. There are federal and state grant programs that can be applied for to mitigate the costs of restoring and maintaining the property. Owner occupied properties can qualify for a special assessment of Historic Property that will yield 10 years property tax free.There are also some exceptions and alternatives to the International Building Code that are allowed during renovation of National Register properties.

Costs: Being listed on the National Register does not directly protect the building from demolition or alterations, unless federal or state grant funding is received. Once listed, your city can stop demolition or review changes to the property if they have a local preservation ordinance.

If federal or state grants are received for restoration and rehabilitation, specific rules will be enforced for what kinds of restoration activity can be undertaken with those funds, which can add to the cost of that work. These restrictions will typically be aimed at preserving the existing wood, metal and other historic materials as well as the architectural details relevant to the period of the building.

 Did you know? Though most Portland National Register residences are large historic homes in Irvington, the Alphabet District and select inner Portland neighborhoods (like the Barnes Mansion shown above), over a dozen apartment and condo buildings in NW Portland are listed on the National Register as well. Irvington is the largest historic district in Oregon.

Historic District

Dickason_1925_Exterior_A_1_P(This Irvington project by Arciform included a kitchen renovation and the creation of an attic master suite. Because this project was completed prior to the district’s designation as historic, the attic egress window that was replaced in the project did not need to undergo the Historic Review process. Any future renovations that include the home’s exterior will be subject to review.)

If you live in Ladd’s Addition, Irvington, Buckman or one of the 12 other protected neighborhoods in Portland, your home is designated part of a Historic District. This is a local designation recognized by the City of Portland. All of Portland’s historic districts also happen to be listed as National Register districts. To be designated a “historic district” in Portland, every homeowner in the affected area has to support the designation in writing at the time the designation is awarded, and for good reason: once enacted, the historic district comes with very specific restrictions on how the homes can be maintained and modified. To be designated a Historic District on the National Register, more than 50% of owners in the district need to support the designation.

It has huge benefits and some important costs.

Benefits: The most important benefit is that home values in historic districts tend to stay stable and increase over time and infill development is prevented, preserving the character of the neighborhood and the property values of homes and structures within that neighborhood.

Costs: Any renovation that will affect exterior elements of the home visible by neighbors or from the street must pass a thorough Historic Review process designed to prevent alterations of the home’s historic material and design. This particularly includes alterations to the home’s facade, doors, windows and roof, but can affect any area of the home’s exterior that is visible to people living and traveling through the district.

Did you know? Even replacing your front door in a historic district requires approval through the formal Historic Review process. This process requires formal plans and specific fees and typically requires 6 to 8 weeks to complete.

But don’t worry! We can help you figure out how to phase your projects to make the most efficient use of the historic review process.

 Conservation District

Miller_1899House_Exterior_A_ (4)(This house in the Mississippi Conservation District suffered a house fire. Arciform was able to restore and renovate the structure while the owners were out of the country.)

6 neighborhoods in North and Northeast Portland were designated Conservation Districts by the City of Portland as part of the Albina Community Plan in 1992. The only difference between a Conservation and a Historic district is that a Conservation District is considered to have local historic significance where a Historic District is deemed to have national significance. The rules for a conservation district are a little more flexible for demolition, new construction and solar integration compared to historic districts.

Benefits: Similar to a Historic District, Conservation District neighborhoods are protected from large multi-residential, industrial or commercial redevelopment through the requirements of the historic review process. This protects property values and maintains the architectural details that define character of the neighborhood.

Costs: Homes and buildings that are considered to be contributing to the historic character of the neighborhood must go through the same historic review process as a historic district if they want to modify any aspect of the exterior of their homes.

Did you know? In historic preservation terms, not all buildings in a district are considered contributing to the character of the neighborhood, based on the period they were built and the history of the structure.

It is also true that not all sides of a home or structure are considered to be equally  “contributing.” Often a back wall or a portion of a structure that was added after the historic period and before the district designation will be considered non-contributing and will have more flexible rules about how it can be modified as a result.

Want to know more about how the historic review process might affect your renovation plans?

Join us July 16th at Old Portland Hardware and Architectural for a Historic How To Workshop.

Get the details and RSVP here.

 

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Pioneer Mother’s Cabin Rescued from Willamette

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We are delighted to report that the Oregon State Society, Daughters of the American Revolution have commissioned Arciform to begin rescuing one of Restore Oregon’s 2013 Most Endangered Places, the Pioneer Mother’s Cabin in Champoeg, Oregon.

Threatened by the encroaching Willamette River, the historic Pioneer Mother’s Cabin will be minutely catalogued, tagged, deconstructed and prepped for storage by Arciform starting this week as part of a multi-year project that will ultimately see the cabin restored and re-built on the grounds of the Robert Newell House and Museum.

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Although the structure is in overall good condition, the south bank of the Willamette River has eroded to within 20 feet of the cabin walls. Moving the cabin to higher ground is imperative to prevent the structure from sustaining water and flood damage this winter. Deconstruction will begin November 11th and will be coordinated by Arciform Project Manager Scott Mumma in collaboration with Arciform owner and historic preservation advocate Richard De Wolf.

De Wolf explains,
“We’re honored and excited to help rescue this important historic structure. Our team has extensive experience with historic restoration projects including the Heceta Head Lighthouse, the Waggoner Farmstead and the Silver Falls Historic Log Cabin. We look forward to putting that experience to work in support of this important effort.”

The Pioneer Mothers Memorial Cabin was built in 1931 to honor female pioneers and house artifacts that crossed the Oregon Trail in the mid-1800s. Built with funds raised by the Oregon State Society, Daughters of the American Revolution (DAR), it today operates as a museum and living history exhibit for school children.

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ABOUT THE PROJECT
Primary goals of the multi-phase preservation project include upgrading the engineering to meet current code without modifying the look and feel of the historic structure and upgrading the comfort and energy performance characteristics of the structure. Deconstruction will require careful cataloguing of each element to be sure that it can be reconstructed in a way that will conserve and restore as much of the existing architectural material as possible. The reconstruction phase will include comfort and performance upgrades like the integration of insulation into the roof and a seismic upgrade that will require drilling threaded rods through the structure to invisibly lock the logs to the foundation.

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Progress on the Smokehouse Restoration

Arciform owner Richard De Wolf spent the last few days volunteering to help restore one of Oregon’s Most
Endangered Places, a historic smokehouse.
smokehouse
Here’s a report from the field about their progress:

We’ve had a great few days at the smokehouse. Here is a brief report of what we’ve found and done.
When we got there, the building was leaning seriously forward and to one side. My heart sank as I thought it might have been way too far gone. I didn’t even want to take a picture. The owner had the church group come out and “clean out” the smokehouse, which sounds exciting, but they also removed some of our structural support and staircase. The staircase was the only thing giving the building shear strength. Well, we didn’t let that get us down. We had it back up and straight by lunch, but that ate into our labor hours by 1.5 man days. Now that we had the structure straight again, we started doing pin point measuring and got all four corners level and plumb.

It really started looking great, at least to those who had seen it within the last twenty or so years. We are making headway! Then, we cut the rotted studs ends and put a new plate under the long wall on the right side of the building. (All of my directions are if you have your back to the main house and you are looking at the sliding doors) We then added a temporary shear panel to the interior of that wall to give the building rigidity that it never had. The opposite long wall was destined to be re-framed, so we removed that wall completely after shoring up the rafters and adding three replacement floor joists. When we got deeper into the removal, we found evidence that the side door was added later, so we made the bold decision to frame the new wall without the doorway. The door was set to the side for safe keeping.

Another bold move was that when we found that about two-thirds of the front wall had been replaced with new framing, or that the few old studs that were left had been rotted up about four feet, we decided to cut the lower portion of the studs out behind the new ceiling joist. This way, plans can be made for future use as to how the doors would want to be installed. Either for convenience, or historical accuracy, the groundwork has been laid to make and implement a quick and easy application. A new sill plate has been installed to aid in this.

All of the framing being used is vintage barn wood of the same species and compatibility with the rest of the structure, When necessary to mill the wood to new dimensions, we placed the cut side towards the siding side so the fresh cut wood is not visible or distracting from the appearance. While digging, we noticed lots of remnants of the original brick infill foundation and used that material and other brick from the property to dry set supports for the new pressure treated sill. The original structure appeared to be above grade which allowed air to flow in from the ground level, probably to aid in circulation for the action of the smokehouse.

A new top plate timber was created with matching notches to receive the wall studs. Three or four new rafters will be installed tomorrow, and the skip sheathing will be installed with new old barn wood where appropriate. New fasteners, where appropriate were hidden.

The intent is to leave the smokehouse free standing and framed completely. The temporary support beam and bracing will be removed Thursday. Siding, original wood, the doors and window will be left in the structure after back-filling and raking the dirt floor. The plywood shear panels will be left as a measure to continue and protect the building. These can be removed in the future as they were installed with screws. (the original studs had many nail and screw holes, so this did not deter from the originality of the structure.) Arciform will re-asses the finances and if there is money left over, will provide and install standard galvanized agricultural metal roof panels to protect the building. Traditionally, the building would have had wood shingles.  This will be done during the summer season when our work schedule opens up again between jobs.

We can’t wait to see the finished restoration of this historic smokehouse. We’ll keep you posted.

Alphabet District Historic Home Walking Tour this Weekend

NWNCC.NWCT_Home Tour_Poster w.Bleed_R4v2 Facebok

It’s going to be a beautiful weekend, and we have a recommendation for how to make the most of it.

Arciform is pleased to sponsor this walking tour in support of the NW Neighborhood Cultural Center (home to the excellent Northwest Children’s Theater and School).

Here are all the details:

When: Sunday, May 5th 11 am -4 pm

Where: The Historic NW Alphabet District!
Cost: $25.00

Details: Look inside 8 historic properties and find out unique and fascinating tid-bits that helped shapeone of Portland’s first historic districts. Get your tickets at the box office at the NW Children’s Theater, 1819 NW Everett Street, 97209 or 503-222-4480. 100% of the proceeds go towards the restoration of the Historic NW Cultural Center, which also houses the NW Children’s Theater.

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Vote for Heceta Head out of Canned Goods

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Check out Arciform’s scale model of Heceta Head Lighthouse made out of Campbell’s soup cans! Compare it to the real deal here:

heceta-head-lighthouse

Practically identical right?

Here’s the view from above:

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Help us win the People’s Choice Award (and check out the other cool structures designed and built by local architecture and construction firms) by “liking” the picture of our project in the Facebook Album here.

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Check out how the team managed to replicate the inset windows in the work house and create the “red tile roof” out of tomato sauce cans.

You can watch Arciform and Ankrom Moisan in action (and get a look at how the structure was put together) with this video clip from KPTV’s Joe on the Go.

Deep thanks to the Interstate Fred Meyer for helping us secure our cans and congratulations to the Arciform and Ankrom Moisan Team, who were up at 4 am on Monday to stack their way to Historic Preservation success, all in support of a great cause!

Why Heceta Head Lighthouse, you ask? We had the honor of restoring doors, millwork and flooring in the lighthouse in partnership with our sister company Versatile Wood Products.

Here are a few images from that project:

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We invite you to check out our team’s hard work at Pioneer Place Mall. The Canstruction projects will be available to view (and vote!) through April 27th, 2013.

We are so proud to participate in a project that does so much good for Oregon’s most Vulnerable Families. Join us in supporting the Oregon Food Bank.

Thanks!

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Celebrating Saul Zaik

(This kitchen was restored by Arciform for the owners of the Feldman House, a home built by architect Saul Zaik in the ’50s that is considered a quintessential example of the Northwest Regional Modernism style.)

One of the pleasures (and challenges) of working in older homes as we often do, is the weight of history that can hang over each renovation and restoration choice we make with our clients.

Each space has its own distinct personality, and sometimes that personality shines straight through from the original builder’s intent. Other times, the space has been papered over with updates that mask the original style and purpose of the home. In every case, we must strike a balance between:

1. Recognizing that a home is a living building that must first and foremost serve the needs of the family living in it.

2. Respecting the fact that a home also has a unique history and perspective that adds to its value and should be preserved whenever possible.

Sometimes you get lucky and have the opportunity to work on a home whose architect’s purpose and design goals are so clear, thoughtful, practical and beautiful that 60 years later the home still feels fresh and new.

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(Here is an image from of the Feldman House kitchen before the renovation. )

arc18-1f(Here’s a similar view after the restoration was completed. Like many of our projects, our goal here was to integrate needed updates as subtly as possible into the existing space. If you can’t tell where the original elements end and the new things begin, we have done our work well!)

Saul Zaik, a Portland architect responsible for many iconic houses in the style that has come to be called “Northwest Regional Modernism,” creates  homes that are full of personality distinctive style and yet prioritize the comfort of the people who inhabit them and the landscapes on which they are sited.

Portland Monthly explains:

Mid-century modernism is a popular style, often seen as retro, a look back or a revival of something that started more than half a century ago. But in some ways, here in Portland, there’s nothing retro about it. Northwest Regional Modernism is simply a vibrant approach to architecture and design. It thrives, continues to evolve, and is aging gracefully.

change(This image, of Saul Zaik’s personal residence, perfectly illustrates that combination of human scale and connection to the NW environment that was a hallmark of his work.)

Brian Libby, a passionate Portland architecture advocate,  shares this insight into Saul Zaik’s take on Northwest Regional Modernism on the blog PortlandModern:

Asked if he thinks northwest regional is a valid style, Zaik’s response comes without hesitation.

“It is absolutely valid,” he says. “It is site-oriented in terms of sun and weather. It respects the vegetation of the site. Our attitude was that the best thing you can do is something nobody can see as they drive down the street. Well, I shouldn’t say that. Maybe it is better to say that it is something discreet. I think it has to do with a northwest lifestyle. Our clients were outdoor people, who appreciated the landscape and wanted to be connected to it and to preserve it.”

In addition to many distinctive Portland residences, Zaik was deeply influential in the design of some of Oregon’s iconic resort locations, including Sunriver, Salishan, Timberline Lodge (for their 1960’s addition) and the adaptive restoration of the Crater Lake Lodge grounds. Chances are, if you have vacationed in Oregon, you’re experience has been enhanced by his unique sense of place.

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About the Feldman House

One of Zaik’s first houses to come out of this period, the circa-1956 Feldman House, is one of his most celebrated and one he still recalls fondly. Built for Philip Feldman, heir to Mt. Hood Borax Company, the structure has a cantilevered, low-pitched gable roof and vertical tongue-and-groove cedar siding. Its broad overhanging eaves express the sheltering element that Zaik brought with him from his University of Oregon studies and which he considered fundamental to the style.

“It is extremely modern in using very flush surfaces and wide panes of glass,” notes architect Don Rouzie, one of Zaik’s longtime collaborators. “It is very simple. It doesn’t jump out at you as being this terrific thing. But you get in there, and it’s just awesome. You realize what northwest regional means.” The house was honored by the Oregon chapter of the American Institute of Architects and was featured in an issue of Pacific Architect magazine. It was also was featured on the 2008 Street of Eames Homes Tour and garnered much praise as a crowd favorite.

We deeply enjoyed participating in the preservation of this iconic Portland residence and we are delighted to join with the Historic Preservation League of Oregon to celebrate Saul Zaik on their upcoming Mid-Century Marvelous Tour of several key Zaik residences on May 11th.

Unfortunately the Feldman House is undergoing some additional restoration and will not be available for viewing on the tour, but there are several other Zaik houses (including his own personal residence) that will be showcased.

We encourage you to check out the tour, which is a fundraiser for the important preservation work being carried forward by the Historic Preservation League of Oregon.

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ABOUT THE MID-CENTURY MODERN SAUL ZAIK HOUSE TOUR

When: May 11th 10 am to 4 pm

Cost: $40 per person  ($30 for HPLO members)

Buy Tickets Here.

Details from the Historic Preservation League of Oregon:

Take advantage of a unique opportunity to visit six outstanding Northwest Regional Modern homes designed by Saul Zaik.

Tour goers will appreciate the beauty of these houses and how they take full advantage of their wooded locations. They are all recommended by Saul himself and include his own home.

Check in at the Portland First United Methodist Church in Goose Hollow (1838 SW Jefferson) where, at 1pm, we will also present a lecture on Saul’s work and the Northwest Regional style.

This will be a driving tour. The homes are in Portland’s west hills and there are some steep driveways and walkways.

After the tour there will be a “Snappy Hour” ’60s themed costume party and cocktail hour, where tour goers will have an opportunity to meet Zaik and ask questions about the homes on the tour.

We  hope you will join us in celebrating this true icon of Northwest architectural style.

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